Palette of flowers: Nada Al Barazi hosts ‘Gardens’ solo exhibition at Intent Gallery
Last updated: May 19, 2026 | 08:39
Flower power in colour (left) and A crush of flowers.
Muhammad Yusuf, Features Writer
Internationally acclaimed, multi award-winning artist Nada Al Barazi held the ‘Gardens’ exhibition at Intent Gallery, Dubai (May 9 – 13). A recognised cultural voice in the contemporary art scene, both in the Emirates and globally, Nada is a holder of the UAE Golden Visa granted by Dubai Culture & Arts Authority, in acknowledgement of her artistic achievements and contributions to the arts.
“Gardens is a contemplative body of work that moves beyond the idea of nature as something merely seen,” said Nada. “Instead of being something only seen, it is also deeply felt. In this exhibition, flowers, colours and organic forms become emotional gestures — delicate reflections of memory, transformation, and inner experience. Each painting unfolds like a quiet landscape of the mind, where emotion blooms freely, without the need for definition or structure.”
Rather than offering fixed meanings, Nada added, ‘Gardens’ created space for personal reflection and emotional connection. “The exhibition encouraged viewers to slow down, to immerse themselves in colour and feeling, and to experience the works openly and intuitively. It was an invitation to wander through moments of growth, vulnerability, memory, and renewal — much like walking through a garden that continuously changes with time and light.” Through layered textures, intuitive and grand movements and the lavish but meticulous use of expressive colour, the works invited the viewer into a space to stand, see and feel.
Powering towards light.
It was just the balm for those rushed by Dubai’s frantic space, where loneliness often rules, even amidst crowds. “Alone, alone, all, all alone,/Alone on a wide wide sea!” (Samuel Taylor Coleridge). Nada’s exhibition was in line with William Wordsworth’s words: “I wandered lonely as a cloud/That floats on high o’er vales and hills,/When all at once I saw a crowd,/A host, of golden daffodils;/Beside the lake, beneath the trees,/Fluttering and dancing in the breeze./Continuous as the stars that shine/And twinkle on the milky way,/They stretched in never-ending line/Along the margin of a bay:/Ten thousand saw I at a glance,/Tossing their heads in sprightly dance.”
Nada’s ‘Gardens’ was not only a physical place, but a therapeutic location. It was a living emotional terrain, sensitively presented. Shifting between fragility, strength and intensity, every canvas reminded the viewer about the poverty of life “if, full of care,/We have no time to stand and stare.” (William Henry Davies). “Flowers and gardens,” says watsonlittle.com, “have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before.”
Nada Al Barazi with her works.
An AI Overview notes that famous artists who famously painted gardens span various art movements, united by a love for botanical beauty. The most celebrated include Claude Monet and his water lilies, Gustav Klimt and Vincent van Gogh. “These legendary creators,” says the Overview, “immortalised flora and landscaping through their distinctive brushes.” Claude Monet was the “ultimate gardener-painter.” He spent the last two decades of his life memorialising his personal Japanese-inspired water garden in Giverny. Gustav Klimt is known for his sparkling, mosaic-like landscapes; he frequently painted vibrant close-ups of flower beds and rustic cottage gardens.
During his stay at the Saint-Paul-de-Mausole asylum, Vincent van Gogh produced bold, emotive paintings of the institution’s iris and lavender-filled gardens. Norwegian Expressionist Edvard Munch was an avid gardener, depicting apple trees and lush foliage from his property in Ekley. Pierre Bonnard is known for his energetic, Post-Impressionist depictions of his overgrown “jardin sauvage” (wild garden) in Vernonnet, while Pierre-Auguste Renoir painted sun-dappled scenes of his studio gardens, capturing a peaceful, leisurely atmosphere.
Nada’s exhibition reflected her ongoing dialogue with nature, emotion, and human sensitivity. She has exhibited extensively across major international art capitals including New York City, Paris, London, Rome, Miami, Monaco, Los Angeles, Istanbul, Dubai, Tokyo, and South Korea. Her work has been exhibited at universally recognised venues such as Carrousel du Louvre, Zeugma Mosaic Museum, and the Geoje International Art Festival. Her work has been showcased four consecutive times at the prestigious Saatchi Gallery, where she later became a member. Nada has presented five solo exhibitions internationally, including two in Dubai, one in Miami, and one in Istanbul. Her paintings, primarily in oil and acrylic, are held in private collections across Germany, the United Kingdom, Türkiye, and the United States.
Artists and supporters at the inaugural.
Deeply inspired by nature, her practice continues to explore the poetic relationship between the natural world and the emotional landscapes that exists within us. Beyond her artistic practice, she is an influential figure in the art community, regularly invited as a VIP guest, guest of honour, jury member, speaker, and mentor. She has participated in professional workshops with a Canadian university that focused on mentorship programmes, artistic identity development and art workshop facilitation, in appreciation of her role as an educator and mentor in the creative industry.
Nada is also a member of the Dubai Business Women Council and part of Cycle 7 of its mentorship programme, where she serves as a mentor, guiding and supporting emerging professionals in shaping and advancing their careers. She actively assists emerging and young artists through mentorship initiatives, contributing to the growth and vibrancy of the global art ecosystem. Her fifth solo exhibition at Intent Gallery marked another important milestone in her artistic journey.