Second day of Tanweer Fest leaves attendees in total awe

The second day of Tanweer Festival unfolded in the breathtaking Mleiha desert, providing an incredible programme of world-famous performances, immersive workshop experiences, and artistic wonder.

To the elation of the scores of attendees, an eclectic blend of activities and experiential moments each managed to weave their own unique stories into the festival’s incredible atmosphere, providing an unforgettable full day and night of events.

The highlight of the evening was undoubtedly the exclusive performance of “Journeys of Light” on the main stage.

This collaborative masterpiece brought together artists from across the world, merging their diverse styles into a radiant celebration of creativity, unity, and inspiration.

Led by the visionary Kamal Musallam, who captivated the audience with his oud and guitar, the performance featured the hauntingly powerful vocals of international sensations Lisa Gerrard, Loir Cotler, Rasha Rizk, and Anjana Rajagopalan. Glen Velez’s rhythmic percussion, Mike Del Ferro’s expressive piano, Dwiki Dharmawan’s ethereal synthesisers, Marc Miralta’s dynamic drumming, and Daniele Cappucci’s resonant double bass added layers of texture and emotion.

A performance holds the audience spellbound.

The Elite Chamber Orchestra, conducted by Stoyan Stoyanov, provided a lush symphonic backdrop, creating a transcendent performance that broke down cultural boundaries and evoked the timeless echoes of love and light. Throughout the day and night, the festival offered a diverse array of captivating performances and experiences across its stages. At the Tree of Life, Senny Camara amazed the audience with her soulful fusion of West African rhythms and contemporary pop, accompanied by the evocative live painting of Mary Malifarges, whose brushstrokes brought the music to life.

Later, Baraka Blue and Shadi’s Band energised the crowd with their vibrant mix of spoken word and eclectic musical traditions, while Gnawa musician Hassan Hakmoun filled the desert air with the deep, hypnotic sounds of his sintir, offering a powerful glimpse into the heritage of Moroccan Gnawa music.

On the main stage, Constantinople, led by setar virtuoso Kiya Tabassian, and Tunisian singer Ghalia Benal and Lebanese musician Charbel Rouhana, took listeners on a profound musical journey inspired by the poetry of Rumi.

A qawwali enchants the gathering.

Their performance, “In the Footsteps of Rumi,” captured the essence of his philosophy through ethereal melodies and poetic musings, invoking a sense of introspection and deep connection.

To close the evening, composer Rushil Ranjan and vocalist Abi Sampa, accompanied by the world-renowned dancer Aakash Odedra, delivered a breathtaking orchestral Qawwali performance.

Day two of the festival also featured five immersive workshops, each offering participants an opportunity to connect with their creative and enlightened potential. Walid Aboulnaga led a revitalising Breathwork session, guiding participants on a journey of self-discovery and rejuvenation.

Anas Alhalabi showcased the melodic beauty of handpan music, inviting attendees to explore the harmony of rhythm and melody.

The School of Calligraphy & Ornamentation, led by Dr Esra Alhamal and Mostafa Sedky, introduced participants to the intricate arts of illumination and sacred geometry.

Dr Farima Berenji’s Sufi Whirling Workshop connected movement with spiritual reflection, while Julien Breton’s Calligraphy Lighting Workshop dazzled participants with the innovative fusion of light and traditional calligraphy.

The festival grounds were adorned with captivating art installations from renowned international sculptors that enhanced the enchanting atmosphere, embodying themes of introspection, nature, and Rumi’s philosophies.

Karim + Elias’s “The Desert Relics” stirred memories of lost civilisations, while Azza Al Qubaisi’s “Rumi’s Path” encouraged quiet reflection through its dance of light and shadow.

“The Gate of Wisdom” by Nedaa Elias and “Palm Oasis” by Khalid Shafar celebrated regional culture and heritage, symbolising endurance and growth. Zeinab Al Hashemi’s “Toroid” and Patricia Millns’ “Star Circle” provoked thoughts on the universe’s infinite cycles, while Rabab Tantawy’s “The Guardians” represented resilience.

Ahmad Kattan’s “La Mutanah: An Infinite Majlis” provided a tranquil space for gathering and contemplation, and Raghad Al Ahmad’s piece infused a spiritual depth into the experience.