Sebastian Stan ‘rebonds’ with his Romanian past in family drama ‘Fjord’
Last updated: May 21, 2026 | 08:46
Cast member Renate Reinsve poses for the film 'Fjord.' Reuters
For Romanian-born US actor Sebastian Stan, the Cannes Film Festival drama “Fjord”, centred around the clash of values that ensues when a religious family relocates from Romania to a Norwegian village, has allowed him to reconnect with his roots. “I left in a very chaotic way, and I’ve really tried to educate myself about the country,” Stan told journalists on Tuesday, a day after the premiere of the film that he said had provided the chance “to rebond” with the country of his birth.
Stan left Romania with his mother when he was about 8 years old and the vast majority of the country’s population was suffering economic hardship and political repression under communist leader Nicolae Ceausescu. Romanian director Cristian Mungiu, who won the festival’s top prize in 2007 with “4 Months, 3 Weeks and 2 Days”, said that he had started writing the script, inspired by true stories, only after Stan had agreed to take on one of the leading roles.
Stan, who made his name in the Captain America trilogy, stars as a Romanian IT technician who decides to move his family of seven to the Norwegian village where his wife, played by “Sentimental Value” standout Renate Reinsve, was born. Cultural differences on child-rearing take an extreme turn when child protection services become involved, and the divisions reflect a bigger battle between conservative and progressive values.
Cristian Mungiu and cast members pose on the red carpet as they leave following the screening of 'Fjord.'
Reuters
Reinsve, who previously co-starred with Stan in 2024’s “A Different Man”, recalled that it was difficult and humbling to play a role so different from her own life. “It was very scary to go into playing someone who was doing something wrong and was violent without knowing it,” said the Norwegian actor. “Fjord” is one of 22 films competing for the festival’s top prize, the Palme d’Or, which will be handed out on May 23.
During the press conference, Stan was also asked how his understanding of US President Donald Trump had changed since he starred as the real estate mogul in the biopic “The Apprentice”. The film was in competition at Cannes in 2024, when Trump had begun campaigning for the second term he began in 2025. In response Stan recalled that the film had faced the same threats as late show hosts Jimmy Kimmel and Stephen Colbert have experienced in Trump’s second presidential term. “We’re in a really, really bad place,” he added.
Henrikke Lund Olsen (left), Jonathan Ciprian Breazu and Vanessa Ceban pose during a photocall of the film 'Fjord.' Agence France-Presse
Sebastian Stan poses during a photocall of the film. Agence France-Presse
Meanwhile, Cuban-born Hollywood actor Andy Garcia’s passion project, “Diamond,” screened at the Cannes Film Festival on Tuesday, some two decades after the “Ocean’s Eleven” star first conceived the idea while helping his daughter with a school assignment. Garcia directed and stars in the noir-inspired film that follows private detective Joe Diamond, who is hired by femme fatale widow Sharon Cobbs, played by Vicky Krieps, to investigate the murder of a wealthy businessman. US actors Bill Murray and Dustin Hoffman also have roles as side characters.
When the 70-year-old who also wrote and produced the film learned it was going to screen out of competition at the festival, he said he could not have been happier. Saying the film was like his child, Garcia told Reuters: “It’s the greatest gift in the world to celebrate your child’s achievement.” Known for roles in films such as “The Godfather: Part III” and “When a Man Loves a Woman,” the Oscar-nominated actor has built a decades-long career in Hollywood both in front of and behind the camera. “Diamond” is his second fictional feature as a director after 2005’s “The Lost City,” a movie about pre-communist Cuba that also took years to bring to the screen and features Murray and Hoffman. Although “Diamond” is set in modern-day Los Angeles, the detective and others around him are dressed as if they are in the past. The concept traces back 20 years to when Garcia helped his daughter with a homework assignment for which she had to write a noir short story, and she got stuck.