Traditional muse, millennial views: Old and new live in Jamila Patanwala’s art

Jamila Patanwala is a contemporary Islamic artist, based in Dubai. “My work is a reflection of my roots, and I strive to create pieces that invite the viewer to explore Islamic art in a contemporary manner,” she says.

She primarily works in acrylics and mixed media, using bold colours “to evoke the regality of Islamic patterns and calligraphy.” Her work is inspired by the richness of Islamic architecture, Quranic verses in Arabic calligraphy, and Nature.

Some of her works were shown in an exhibition in Dubai International Art Centre (DIAC) recently. They were commented upon for their focus on the subject, the detailing of their meaning and the expertise of their execution.

From her workspace comes Mishqaat-ul-Anwar, in acrylic on canvas, inspired by the Jamea Al Anwar mosque in Cairo, Egypt. Jamila’s painting depicts a mishqaat or lamp or light from the mosque. Fruits of the Holy Quran, created in mixed media (it was shown at DIAC) is a sculptural and calligraphic art series that brings to life sacred fruits mentioned in the Quran, through the medium of clay. Rehnuma in acrylic and go leaf on canvas, is influenced by the opulent history and cultural significance of calligraphy.

Work titled Fruits of the Holy Quran.

Shuja’at (Courage) in acrylic on canvas depicts a lion, its mane forged with swords — a crown of steel shaped by bravery, sacrifice, and divinely bestowed strength, says Jamila. Noorun-Ala-Noor or Light upon Light in acrylic is a luminous tribute to divine beauty and spiritual profundity. “I have tried to give a contemporary look to the exterior Medallion motif on Jamea Al Anwar,” Jamila says. “I have recreated it on a square MDF plank, trying to mimic the original’s placement on the exterior wall of the mosque.” Shubbak Al Anwar in acrylic on MDF refers to the discovery of a Fatemi shubbak - a stucco grille with floral patterns - during the restoration and revival of the Jamea Al Anwar mosque. “The painting of this window or grille evokes a sense of tranquility and spiritual elevation, symbolising the divine connection between the sacred space inside and the world beyond,” says Jamila.

The Golden Armour is an illustration which portrays a woman dressed in the Rida, the traditional attire of Dawoodi Bohra women. “This piece symbolises the strength, dignity, and beauty I find in wearing the Rida — not as a restriction, but as a radiant shield of identity and faith,” says Jamila. “Just as armour protects a warrior, the Rida envelops me in a sense of purpose, confidence, and pride. Through this artwork, I aim to challenge the often misunderstood narrative around the hijab and abaya. They are not symbols of oppression, but of autonomy, progress, and inner strength.” The golden hue of the artwork represents empowerment, resilience and spiritual richness. Jamila Patanwala speaks more on her work to Gulf Today

Why did art interest you?

My interest started in childhood, seeing my older brother’s sketches. Watching his pencil bringing images to life made art feel natural and achievable; so I picked up a pencil too. That early habit, which started as a sibling inspiration, grew into my own creative voice and passion for Arabic calligraphy, motifs, and Nature‑inspired pieces.

What do you mean by “Contemporary”, as in contemporary artist?

“Contemporary” means “of our time”. A contemporary artist is someone engaging with the ideas, material, technologies and culture of the present moment. I try to weave my own spiritual experience into a work; so the art reflects how faith feels now, not as it was felt centuries ago. The reinterpretations of classical motifs through contemporary lens, connects tradition with present day aesthetics.

Jamila Patanwala is based in Dubai.

How can Islamic art be interpreted in a contemporary way?

My work begins with the foundations of Islamic art — calligraphy, geometry, and arabesque motifs — but I weave in elements of Nature and present them through today’s materials and formats. You’ll see paintings brought up to mural size technologically and calligraphy being projected on digital screens. So, while the vocabulary is traditional, the presentation turns it into a contemporary conversation.

How has India and UAE influenced you as an artist?

The India-UAE axes gave me a unique blend of deep tradition and modern aesthetics. India inspires the craft, colour, memory and devotional content; the UAE sharpens aesthetics, scale and global visibility. The dialogue between the two is what gives my pieces a cutting edge.

Why do you use bold colours?

In Islamic calligraphy, hues like lapis blue or radiant gold, evoke divinity and awe more powerfully than muted tones. I use bold colours because I want the message in my work to come through loud and clear.

How does architecture inspire you as an artist?

I am drawn to painting architecture, because buildings hold so much meaning. Islamic architecture is not just about structures - they are symbols of faith and connection to the divine. Architectural geometry and patterns provide me a sense of order and harmony.

What is the role of calligraphy in your art?

Calligraphy is the heart of my work. I use sacred words because they instantly give meaning to the composition. It’s worship in a visual form.

Is Art a profession for you or is it only a hobby?

Art isn’t just a hobby for me — it’s my profession, my practice, and my purpose. I see art as service. Whether through conversation, workshops, or simply sharing my work, my goal is to bring art into people’s lives in a meaningful way.