Billy Idol talks about his album, documentary and more

When Billy Idol first entered American consciousness in the early, leather-clad and bleached hair in tow, he not only brought a punk rock sound to the mainstream. The Englishman brought a new attitude, a new, rebellious way of being.

In the time since, songs like “White Wedding,” “Rebel Yell” and “Eyes Without a Face” have become instant classics — for those who’ve worn a spiky jacket and those who’ve only imagined what it might be like.

Now, over four decades later, he’s got the wisdom to reflect. It’s led to a new documentary about his life, “Billy Idol Should Be Dead,” which will premiere at the Tribeca Film Festival — and a new album, the polished punk-pop of “Dream Into It.”

“It was a gradual process, really,” he said of 11 year span between albums. “It wasn’t so much that we didn’t want to make an album, it was more like we were building up to doing this.” Idol discussed about his new album and forthcoming documentary, his past struggles with addiction, his first-ever Rock & Roll Hall of Fame nomination and more.

You’ve described “Dream Into It” as autobiographical. I thought your last album, 2014’s “Kings & Queens of the Underground,” pulled from your life as well.

Being this age, in particular, 69, when you look back, you can really see your whole life, how it plays out. And maybe it’s also having grandchildren. My children are having children. You sort of reach this vantage point where you can really look back and see all the sort of different eras of my life. And you can sing about it. And I think I didn’t go deep enough with the songs I did on “Kings and Queens.” I thought lyrically I could go deeper. That’s one of those regrets I had about the last album. So I really went for it, and I went for more imagery, (on ‘Dream Into It,’ in the) way of talking about my life. I’m not spelling it out exactly.

There are a lot of rock ‘n’ roll women on the album. Joan Jett, Avril Lavigne and The Kills’ Alison Mosshart are all featured.

(Mosshart’s) voice is just incredible. And of course, Joan Jett, I’ve known since 1978 after a Germs/Dead Kennedys concert. We hung out at the Whiskey A Go Go in Los Angeles. I was on a Generation X promotion tour for the first album. And then Avril, I mean, I’ve just been watching her career forever and she’s fantastic. So, it was just great.

I’ve heard that sentiment from other performers.

When we were young, with lots of stuff, one minute people were there and then next week they weren’t. We were just living the rock ‘n’ roll lifestyle 24/7, dressing like it, thinking like it. And in those days, it embraced bad things. It’s just what it was like. I took acid at 12 and a half, 13 (years old.)

You get sucked into that world and it takes a hell of a long time to get away from it. And that’s partly what I’m singing about in the album as well. There’s a point in my life where I was very drug addicted, and it ruins relationships. Yeah, I’m lucky that I’ve kept the brain I’ve got, because some people went brain-dead and some people ended up in jail forever. Or dead.

You’re nominated for the Rock & Roll Hall of Fame for the first time. Do you think your younger punk rock self would be excited?

I do sort of think about Bo Diddley and Chuck Berry and Little Richard. “And what? Are you going to be in something with those guys?” You know, Buddy Holly. These are some of the seminal people who turned on the people that turned me on, you know? Somewhere down the road, it led to punk rock. Also, my motorcycle has been in the Rock & Roll of Fame for like five years. So I might as well be in it, too.

Associated Press