Just say no to roles that objectify women, says French actor Juliette
Juliette Binoche poses to promote the film ‘Le lyceen’ during the 70th San Sebastian Film Festival on Monday. AFP
“It’s not always easy but you have to know how to take a leap into the unknown where these chauvinistic codes no longer apply.”
Binoche, who has taken on some 75 different parts since her silver screen debut in 1983, says she tries to “never judge a role, but to embrace it with all its contradictions, all its darkness, and for what ultimately makes it human.
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“And when a storyline leads to an evolution or a transformation, that’s what interests me most.”
On Sunday evening, the festival presented Binoche and Canadian director David Cronenberg with an honorary Donostia award in recognition of their careers. Past recipients of the Donostia award — the festival’s highest honour — include actors Meryl Streep, Richard Gere, Ian McKellen and Robert De Niro. Last year’s honours were awarded to French actor Marion Cotillard and Hollywood star Johnny Depp.
Talking about her experience of working in the US, Binoche, who spoke in French, said: “In American cinema it has sometimes happened to me that they call me to be ‘the wife of’ and then say ‘no’ because I’m not interested. Growing old in front of the camera is a challenge, it forces you to be truthful.” As well as working with Denis, one of the most acclaimed French directors, three times, Binoche has been with numerous great directors, including the late Jean-Luc Godard, who she said was not easy, adds ‘Variety’.
She worked with Godard on the 1985 film “Hail Mary.” “There was a series of casting I did with him that lasted for a long time,” she recalled. “For rehearsals, I had to be open while combing my hair, and saying a poem by heart. He didn’t choose me for the role but he created a new role for me.”
Binoche got into acting through theatre, and trained at the National Academy of Dramatic Arts in Paris. Her film debut came in 1973 with “Liberty Belle,” which was followed by numerous roles, including the Godard film. Her early English-language credits include “The Unbearable Lightness of Being” (Philip Kaufman, 1988), and “Wuthering Heights” (Peter Kosminsky, 1992).
Agencies
