People ride a mini steam locomotive through the "Cup Noodles and Rui Hachimura's snow tunnel."
Thousands of tourists look forward to enjoying the snow sculpture festival, which happens every year in Sapporo, northern Japan.
The northern Japanese city of Sapporo, which is usually filled with people from all around the world waiting to enjoy the 200 large, intricate ice sculptures, during the festival, faces a huge threat this year, the lack of snow.
With high temperatures that festival-goers put down to climate change, organisers were forced to truck in powder from distant towns for their signature sculptures in an unheard-of ice crisis.
"This lack of snow is unprecedented," said Yumato Sato, an official in charge of organising the snow festival, which normally uses 30,000 tonnes of the stuff for sculptures ranging from anime characters to famous racehorses.
"We had to bring in snow from places we had never reached out to before" such as Niseko, a town about 60 kilometres (40 miles) away from Sapporo famous for its skiing, he said.
Adding to the problem was the need for pristine snow, perfect for sculpting.
'Once before I die'
Snowfall in Sapporo has been less than half the annual average, according to the Japan Meterological Agency's local observatory.
High temperatures melted the snow in mid-December and the mercury is expected to stay above average.
This posed a major challenge for the 125 local Self-Defense Forces troops who painstakingly construct the sculptures each year that can be as high as 15 metres, according to commanding officer Colonel Minoru Suzuki.
"Due to record warm weather this year, we didn't have much snow and the snow contained more water which made the statues melt easily," Suzuki told AFP.
His troops spent about 100 days planning and building a 15-metre tall, 20-metre wide statue modelled on the palace at Lazienki Park in Warsaw to commemorate the 100th anniversary of Japanese-Polish diplomatic relations in 2019.
"We had to keep repairing the statue so we struggled. It was difficult to attach parts because it was so warm," he added.
The festival has been running for 70 years and is a major tourist magnet, drawing 2.7 million visitors last year.
Sunao Kinoshita, a 75-year-old who had travelled up from near Osaka, said he "had to see it once before I die".
A regular festival-goer from the region also laid the blame on global warming. "I was worried the climate was different this year," Ayaka Muto, 31, told AFP.
"Usually we have more snow. I think it's strange. I feel global warming is happening," added Muto.
'Serious and a disaster'
The main theme of this year's festival, which runs until February 11, is the ethnic Ainu minority in Hokkaido, as the first Ainu-themed national museum, nicknamed Upopoy or "singing together" in the Ainu language, will open in April.
"We've never before had statues with such powerful Ainu characteristics," Sato said.
One statue featured a giant Blakiston's fish owl spreading its wings watching over sculptures of the museum and a ship. The owl is considered a god in Ainu culture.
Another statue was based on the Ainu myth of a thunder god and a forest princess.
And some have been turning to the nature gods of Japan's native Shinto religion to pray for more snow.
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