Joaquin Phoenix portrayed the journey of failed comedian Arthur Fleck in "Joker." TNS
In all of his years of acting, stretching back to when he was 8 years old, Joaquin Phoenix has never done a sequel. And heading into “Joker,” he didn’t expect that to change.
A grim, gritty take on the origin of arguably the comic-book world’s most iconic villain, director Todd Phillips’ film was designed as a standalone story that would exist — in every conceivable way — outside of the DC cinematic universe. That was a major part of the appeal to Phoenix, who had turned down earlier offers to star in comic-book movies out of a concern that he’d find himself sucked into the maw of a commercial machine.
“I guess the fear was that you’d get locked into doing something repeatedly that you don’t really care about, that doesn’t motivate you or excite you,” Phoenix said.
“Part of the whole attraction to me (of “Joker”) was there was no expectation. I didn’t sign a deal to do (more movies). It was a one-off.”
Now that the pre-release controversy has abated and the film has become a box office smash, those gears of commerce are surely turning in the minds of Warner Bros. executives. Still, Phoenix — whose turn as troubled would-be comedian turned murderous supervillain Arthur Fleck has landed him at the heart of this year’s best actor Oscar race — insists he and Phillips would never do a follow-up simply because Hollywood logic demands it.
That’s not to say Phoenix is completely opposed to a sequel, though. While they were making “Joker,” Phoenix says he and Phillips, previously best known for directing hit comedies like the “Hangover” trilogy, were mulling over the idea of further plumbing Fleck’s complex psyche.
“Long before the release or before we had any idea if it would be successful, we talked about sequels,” Phoenix said. “In the second or third week of shooting, I was like, ‘Todd, can you start working on a sequel? There’s way too much to explore.’ It was kind of in jest — but not really.”
As for the potential of a true sequel, Phillips agrees that he and Phoenix would only do one if there was a compelling creative reason.
“We haven’t talked about it a tonne,” the director said. “We’ve only talked about the fact that if we ever did one — and I’m not saying we are because right now we’re not — it couldn’t just be this wild and crazy movie about the ‘Clown Prince of Crime.’ That just doesn’t interest us. It would have to have some thematic resonance in a similar way that this does.”
Judging by the sheer volume of impassioned theorising that “Joker” has spawned online, it’s safe to say that fans feel there’s still more territory left for Phillips and Phoenix to explore.
In “Joker,” the lines between reality and fantasy, sanity and madness, are deliberately blurry. Many viewers have ventured into those grey areas, debating exactly which events in the story really happened and which were delusions sprung from Fleck’s disturbed mind.
Some have argued that Fleck was actually in Arkham Asylum the entire time and merely imagined the whole narrative as a twisted form of wish fulfilment. Others believe that Fleck isn’t the actual Joker — a character who has never had a single definitive origin story — but instead served as the inspiration for the Joker as we’ve come to know him, a theory to which Phillips himself has given some credence.
Phoenix says that, at least as he sees it, Fleck is indeed the Joker: “I mean, to me, yes, he is.” But he welcomes alternative takes. To him, it’s those ambiguities that make the film worthwhile.
“There was something that was great about the mystery of it,” Phoenix says. “Todd and I talked a lot about how this is one of the few opportunities that you have where people don’t expect to know the definitive truth of the character — and not only that, they probably don’t want it. Usually the demands of the movie are the opposite. I said, ‘We have to take advantage of that. Why would we not?’”
Tribune News Service
“A Cinderella Story: Christmas Wish” provides a modern twist on the classic fairy tale. Kat Emerson is an aspiring singer/songwriter whose dreams of making it big are stalled by her overbearing step family and a demoralising job.
Following the events in “The Shining,” “Doctor Sleep” follows adult Dan Torrance who meets a young girl with similar powers and tries to protect her from a cult known as The True Knot who prey on children.
Avengers: Endgame," the hugely anticipated series-ender from Disney and Marvel, set a new standard for Hollywood blockbusters this weekend with stunning hauls of $350 million in North America and $1.2 billion worldwide.
Bollywood couple Deepika Padukone and Ranveer Singh started celebrations of their first wedding anniversary on November 14 by visiting Tirumala Tirupati Temple in Chittoor, Andhra Pradesh, to seek the blessings of Lord Venkateswara.
The title would appear to play on Jack London's "The Call of the Wild," the story of a sled dog in the Yukon. The dog on the cover sure looks a lot like the one on London's cover.
The Good Liar’ pairs Helen Mirren and Ian McKellen but seldom lives up to the sheer pleasure of seeing its two leads together, for the first time as co-stars.