Tej Kumari Chitrakar mixes color to make traditional paintings ahead of Naag Panchami festival.
Chitrakar families in the Nepalese capital of Kathmandu were renowned traditional painters and sculptors who depicted gods and goddesses on temples, masks of Hindu deities and posters for various religious celebrations.
The art and tradition, however, is dying because of mass machine printed posters and card-size pictures of gods that are cheaper and more popular.
There are just 10 or fewer families now painting in this style, which is denoted by its vivid palette of plant-based paints. New generations of Chitrakars are going into other professions, or leaving Nepal for work or education abroad.
For Chitrakar couple Tej Kumari and Purna, who have been following the tradition at their home in Bhaktapur, a suburb of Kathmandu, it is a struggle to keep the dying art alive against the modern mass produced prints.
Nepal history and culture expert Satya Mohan Joshi said there were positive and negative aspects of this system back then.
"The bad thing was it created a basis for discrimination. The good thing was it created expertise in each sector," he said, allowing the Chitrakar's distinct painting style to continue and flourish.
"Even if the painter's son, a Chitrakar, wanted to do the coppersmith job of a Tamrakar, they weren't able to," he said, referring to another Hindu ethnic group. "It is still the same now. But passing these skills on to people from different castes and backgrounds who want to learn the craft could save these traditions."
Tej Kumari and Purna learned how to paint in the Chitrakar style from their fathers and grandfathers, knowledge passed down over generations. However, they are not sure if the next generation will continue the tradition. Their two sons work in business but their third son is showing some interest in learning the trade.
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