Austrian Pavilion addresses future of work, life, education - GulfToday

Austrian Pavilion addresses future of work, life, education

Austrian Pavilion

The Austrian pavilion at the Expo 2020 Dubai.

Staff Reporter, Gulf Today

Dubai: The Austrian Pavilion at Expo 2020 Dubai is set to host an art show and online symposium to look at three key areas of life and seek answers to questions pertaining to the world’s future. The programme titled ‘The Future of Work, Life, and Education’ is presented in collaboration with GRASP Network - a research and communication display that brings forth new forms of generation of meaning and knowledge in the ever-changing contemporary context.

Focused on Expo 2020’s theme of ‘opportunity’, the programme has two interrelated displays including an art show titled ‘Doubtful Practices/ Practices of Doubt’, set to take place in the Austrian Pavilion in Expo 2020 Dubai between the 16th of December 2021 and 6th of January 2022. The other section of the programme is the future of work, life, and education symposium and will take place online in a total of three sessions from the 11th to the 27th of January 2022. The programme aims to showcase how life will transform in the coming years and decades and the new resulting opportunities.

Commissioner General of the Austrian pavilion Beatrix Karl said, “We are very excited to bring the voice of Austrian artists and changemakers to the world stage here at Expo 2020 Dubai. The entire programme is focused on the rapid transformation across key areas that will slowly, but surely, disrupt existing systems and bring new opportunities and growth in ways that affect all areas of life.”

Presenting selected works by Austrian artists, the physical art exhibition - curated by Martin Baasch - brings together various perspectives on work, exploitation, science, and belonging. Following the concept of the Austria Pavilion at Expo 2020 and its motto ‘Austria Makes Sense’, the exhibition’s focus is on works that approach the themes in a discursive, but also sensual and emotional way.

The positions range from Ernst Logar’s scientific-artistic preoccupation with the post-petroleum society to the group OCTO-R’s examination of the relationship between paid and unpaid work in society. The Graz-based studio Asynchrome examines economic cycles and contexts of exploitation in their meticulously crafted, large-scale drawings, while Michikazu Matsune and Abiona Esther Ojo address global mobility, border regimes, and questions of cultural belonging in Austria in their contributions.

The exhibition is complemented by an accompanying symposium — conceived by Finnish artist Anja Puntari — which seeks to find answers to complex but important questions such as the kind of opportunities that the future will bring, the changing ways of thinking, working, and education, innovation needed to stay abreast of the competition in a changing world, new skills needed to stay hyper-relevant and more.

This experiential and participatory symposium is strongly influenced by art. The discussions and the interactive sessions called Knowledge Huddles draw inspiration from the world of contemporary art. In this online conference, keynote speakers and participants from all over the world share their insights on what will happen next.

Most importantly, the entire display seeks to answer one vital question; how can humanity face the challenges posed by the future and embrace them as opportunities?

The project was developed with an aim to explore and to make evident how contemporary immaterial productions (such as complex software, mathematics, big data, algorithmic concepts, financial artefacts, but also artefacts of symbolic value, as is the case of art, and knowledge in a broader sense and behavioural abilities such as competences and soft skills) can be visualized - and the consequences they induce and produce.

The Austrian Pavilion at the Expo 2020 in Dubai,  which retained its name despite being postponed to 2021, makes creative use of digitalisation to present Austrian innovations as part of the exhibition curated by Ars Electronica Solutions and büro wien. The team of architects from the firm querkraft has realised a pavilion that combines traditional Arab wind catchers with contemporary climate technology to send an appealing message against the waste of energy that is so harmful to the climate. Funding for the Austrian contribution is provided by the Federal Ministry for Digitalisation and Economic Affairs, and the Austrian Federal Economic Chambers.

It was initiated in 2017 by a group of core activists from Finland, USA, Argentina and Germany and is being further developed by a committee of knowledgeable and experienced personalities from different tier groups.

Araba Fenice: Expo 2020 has been chosen by yet another international company to introduce its services to the region, using Dubai as the main platform.

Araba Fenice Services Srl, a spin-off of Italy Emotion Tour Operator, captivated the attention of a selected group of the UAE’s best travel agencies and wedding planners with a presentation of undiscovered treasures of the Region of Campania, Araba Fenice’s home.  

Through a virtual tour among the charms of Capri, the mysteries of Pompeii and the exclusivity of Positano, Araba Fenice offered the local agencies a new perspective on the entire Campania region and instruments to communicate its beauty to the UAE travel lovers.

Araba Fenice will partner with local travel agencies to get an accurate understanding of the UAE’s customers’ preferences, requirements and goals with the aim to offer unparalleled experiences to tourists coming from the UAE.

“Our agency is poised to become a point of reference for professionals and private customers traveling to Italy and, especially, Campania” commented Domenica Sannino, the Director of Araba Fenice after his meetings with the local counterparts. “We are extremely happy with the welcoming response of our colleagues in the UAE and we look forward to welcome tourists and visitors from this amazing country” concluded Sannino.

Meanwhile, in 1851 the Crystal Palace was the centrepiece of London’s Great Exhibition – the first World Expo. It celebrated the man-made industrial wonders of a rapidly changing world. Architecture, contents and a theme, ‘Industry of All Nations’, were combined to create a big idea of nations meeting nations in shared technological and commercial progress. In more recent years, participants in World Expos, including governments, international organisations and companies, have gathered to find solutions to universal challenges and to promote their achievements, products, ideas, innovations, their national brand, and their nations as destinations for tourism, trade and investment.

World Expos are held under the auspices of the Bureau International des Expositions (BIE), the intergovernmental organisation responsible for overseeing and regulating international exhibitions (‘Expos’) and for fostering their core values of Education, Innovation and Cooperation. Today, four types of Expos are organised under the BIE’s auspices: World Expos, Specialised Expos, Horticultural Expos and the Triennale di Milano.

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